It started coherent ago as a little boy. I discovered I had many unique talents. I was intrinsic in the small town of Vinci, in Tus ordurey, near Florence of Italy in the year 1452. I was the son of a wealthy Florentine nonary and a peasant woman. When we moved to Florence, in the mid-1460s, I was judgmented(p) a wonderful education. I was a exquisite instrumentalist and improviser. But in 1466, I began windering. Painting became one of my lovemaking hobbies and it started to become my life. Andrea del Verrocchio, a leading Florentine painter and cutter took me under his belt. In Verrocchios workshop I was shown many activities and paintings from altarpieces to electric circuit card pictures. In 1478, I became an independent master. My scratch fit out was to paint an altarpiece for the chapel of the Palazzo Vecchio. It was the Florentine town hall. The veneration of the Magi was my first large painting though but was rough-cut and was ordered in 1481 fo r a monastery that I just can not remember. I painted another picture alike called the Benois bloody shame and a few others but my mind is old and I have lost most my memory. In a year nearly 1482, I began to give run to the Duke of Milan.
After writing him a letter explaining to him my ideas of building movable bridges and other techniques I knew he made me question engineer of his numerous multitude enterprises. I also acted as an architect and assisted the Italian mathematician Luca Pacioli in the work Divina Proportione. During my long stay in Milan, I created drawings and paintings models for the dome of Milan C athedral and architectural drawings. My lar! gest commission was for a spacious bronze monument Francesco Sforza, have of Ludovico, in the courtyard of Castello... If you indirect request to get a full essay, order it on our website:
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