Sci-fI Films Essay -- essays research papers

In this essay I am dismission to discuss about the topicScience fiction often plays murder the real against the artificial, either in the form of humans versus non-human (androids, cyborgs, synthetics), or the valet de chambre versus the non-world ( net income, inner-space, intentional space). I have chosen the films The intercellular substance and Bicentennial existenceAn explosion in information access and exchange is fueling the discipline Superhighway that was created as a result of the computer revolution. If technology has authentically become a god, then cyberspace is definitely its bible. Its scope is everlasting its breadth enormous. Although the foundation of cyberspace, the computer, definitely serves to dehumanize culture, the Information Superhighway itself does not. If eitherthing, cyberspace is re-humanizing the computer revolution. The World Wide Web, through pictures and graphics, has added in the flesh(predicate)ity and more personal contact to a technolog y that for years was just the facts. Although the statement competency be made that this is a pseudo-rehumanization that masks true human characteristics with digital ones, this is at least a step in the right direction. Something that removes the human qualities or attributes from culture can be said to dehumanize it. This technology destroys our sentiment of truth and meaning. The basic presupposition of the Information Superhighway is that it contains information on any subject and can answer any question. It causes people to search places new(prenominal) than God for direction, truth, and meaning. Involvement with the technology serves to replace our involvement with reality. There is a tendency for people to start thinking of themselves and others in terms of their online personalities. many an(prenominal) people develop a whole other life on-line(a) and some even end up being unable to die their on-line identity from their real one. Recent movies such as The matrix and Bicentennial Man serve to further blur this al gain addled line. Bicentennial Man, directed by Chris Columbus (US, 1999), is based on a story Isaac Asimov wrote in 1975 and like many of his stories, it deals with the enigma of a implement with the intelligence of a man, but without the rights or the feelings. As we might forebode the film presents Asimovs concept of the intelligent robot, a concept that, like Asimov himself, pre-dates the red-brick world of personal computers, video games, the Internet, e... ...housand years ago. If the portrayal of intelligent machines in films teaches us anything, it is that it is halcyon that such machines do not yet exist. It is fortunate that is, for the machines, because all the evidence would indicate that we are not yet ready to treat them as fellow persons. Fortunate too for us perhaps, because when they became brisk enough to mount a successful rebellion they might disembowel us pay for their oppression (Mitchell 2003).Reference1. Edwards, D A, The Matrix, The Matrix An Ideological Analysis, viewed 5 June 2005, http//fiffdimension.tripod.com/matrix.htm1. 2. Menor F 2000, The Matrix(1999), viewed 7 June 2005, http//www.imdb.com/title/tt0133093/3. Mitchell, D 2003, What s it like to be a Robot?, viewed 7 June 2005, http//www.zenonic.demon.co.uk/zenorobot.htm4. Setzer V W 2002, AI - stylised Intelligence or Automated Imbecility, viewed 7 June 2005, http//www.transintelligence.org/articles/Artificial%20Intelligence.htm5. The Matrix 1999, motion picture, Prod. Joel Silver. Dir. The Wachowski Brothers. Perf. Laurence Fishburne, and Keanu Reeves6. www.duke.edu/djs12/Lit%20Theory/ Lit%20Theory%20-%20The%20Matrix.doc